Kennedy Yanko makes abstract three-dimensional work that combines large twisted and crunched metal forms scavenged from scrap yards and thick sheets of malleable acrylic paint that she refers to as “skins”. Kennedy talks about allowing herself and her work to develop and change over time, paint as a sculptural material, looking for the “ugly”, her sculptures having their own ideology, the advantages and disadvantages of working in abstraction, finding and building support networks and community, leaning towards muted and sour colors, fashion as an adjacent interest, the beach as a place for receptivity and expansiveness, and the value of a hard work within a dedicated studio practice.

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